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Nishant Jain's avatar

I side with you on many of the frustrations around a weekly output, especially with a limited amount of time to give every week. But I feel the Substack model is quite nascent, and there is room to run it the way we want. For example, I could see some writers switch to *only* annual plans - making things less demanding from the subscriber end, and allowing them to set the terms for the pace of their work. The weekly publishing model is skeuomorphic of 'magazine publications' and no one should feel compelled to stick to it.

When I think of the patronage model, I see some negatives. For example, I don't expect as many people to be capable of financially supporting artists with big amounts of money. Reducing the pool of potential patrons to the rich elite classes takes us backwards in time, not forwards. Also, I wonder if it leads to more adventurous creativity or more conservative approaches when a writer or artist has such a big patronage to live up to. At $5/month, or $50/year, I feel less *obligated* to individual patrons, for want of a better word.

I like the equity model, but I don't see it working for as many young and 'unproven' artists. Equity investment is about a great ROI, and for pure creative work there isn't always a substantial ROI. Big ROIs again require the same institutional or upper-class reliance that takes us backwards in time.

To your question, not needing to worry about finances might make me a poorer writer and artist. I think certain constraints help us to get things done. While they shouldn't dominate our lives, their presence is essential to shape our ideas and - like gravity - keep us grounded!

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Mark Starlin's avatar

Ah, what a dream. If I could focus on creativity instead of earning an income, I would pursue multiple mediums such as music, writing, and art, and hopefully create several “masterpieces.” And perhaps become a true Renaissance Man. 🤣 I do enjoy the community aspect of Substack, which those classical artists probably didn’t enjoy. And something missing from book publishing.

So to any angels investors reading this, I am available.

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